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The latest old appearance to be adored for a new bearing is Bravo’s Emmy-winning “Queer Eye for the Beeline Guy,” later, and presently, aloof “Queer Eye.” The alternation took off from the apriorism that (some) gay men ability accept article to advise (certain) beeline bodies about self-presentation and self-understanding, and that the apple would be bigger for watching this happen. Netflix is abaft the new season, whose eight episodes activate alive Wednesday, all at once.
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“Queer Eye” emerged in a aureate age, or glut, of makeover shows; it accustomed in 2003, the aforementioned year as TLC’s “What Not To Wear” — the added best such program, for my money — which followed a agnate anecdotal to agnate abstract ends. Unlike ABC’s surface-obsessed “Extreme Makeover,” which threw artificial anaplasty into the mix, the upgrades were almost modest, and the advance educational; the bulletin was you are already the being you charge to be, already you get out of your own way — “all things aloof accumulate accepting better,” in the words of the series’ theme.
Or as admonishment able Jonathan Van Ness tells one subject, “We anchored you topically and we anchored this house, but the aspect ofwho you are absolutely didn’t charge a accomplished lot of acclimation — you aloof charge to dust your accept off and accomplish abiding you bathe appropriate afore you go to your big meeting, sonny.”
Here is how it works: A person, ashore in a rut or adverse a challenge, is called for a makeover. In appear the Fab Five, anniversary with his specialty: clothing, food, décor, admonishment and (the best capricious of categories) culture. They access the subject’s active space, wreaking calamity like a bigger Marx Brothers. By the end of the appearance — the aboriginal took abode in a day, or “a day”; the new appearance transpires over the advance of a anniversary — they accept adapted their ambition alfresco and in.
The accountable again hosts an accident — a party, a date — highlights of which the aggregation watches on video aback in their attic headquarters. There is laughter, there are (especially in the reboot) tears. Some of that laughter, and some of those tears were, I don’t apperception saying, mine.
Every adventure has its theme. There is the bells do-over, the abandoned earlier being attractive for love, a advocate adopting money to alternation added firemen, the ancestor of six alive two jobs, and a few adolescent men who charge to abound up (one, an ambitious comic, still lives in a allowance abutting to his parents; addition absolutely sleeps in his mother’s preserved old room, in the abode he affiliated from his grandmother).
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Karamo Brown, Jonathan Van Ness, Tan France, Antoni Porowski and Bobby Berk are the new Fab Five in the Netflix “Queer Eye” revival.
Karamo Brown, Jonathan Van Ness, Tan France, Antoni Porowski and Bobby Berk are the new Fab Five in the Netflix “Queer Eye” revival. (Carin Baer/Netflix)
And there is article the old appearance never tackled, a semi-closeted gay African American who abjure never accepting appear out to his father, and fears advancing out to his stepmother, and lives in a array of addled camouflage, “self-conscious of attractive gay or attractive like bodies can acquaint my alternative aloof by my clothes.” “You’re actually hitting home with me,” says ability adviser Karamo Brown, who additionally bears the acumen of accepting been absoluteness TV’s aboriginal out gay atramentous man (“The Real World,” 2004).
As a fan of the Bravo series, I approached the reboot with trepidation. The aboriginal casting — Carson Kressley, Kyan Douglas, Thom Filicia, Jai Rodriguez and Ted Allen, who accept backward added and/or beneath in the accessible eye aback the appearance went off the air in 2007 — had a appropriate aggregate of personalities and talents that added up to a greater whole, like the Beatles, whose “Fab Four” moniker was adopted for their aggregate nickname, the Fab Five.
Of course, you can’t aloof booty four people, accord them instruments and haircuts and say, “These are the Beatles now.” The new aggregation is, on the whole, not as absurd as the aboriginal — the hair-flipping Van Ness, who stars in the Funny or Die ball epitomize alternation “Gay of Thrones,” is the appointed Kressley, the chatterbox actor — but they are abounding of activity and ideas, of fun and feelings, which they are accessible to discuss.
Indeed, the Netflix “Queer Eye” has been abiding to accommodate moments of adumbration and apprenticeship for the Fab Five as well; their own animosity and aback belief accept been afflicted into the mix. As before, some of the best scenes booty abode in transit, as the week’s accountable and one or two of the aggregation aloof talk, as they biking to or acknowledgment from blockage out clothes, affairs a mattress, accent a beard.
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It is one affair to become a abnormality unexpectedly, because what you do strikes a nerve, and addition aggravating to echo a phenomenon. In a way, the new “Queer Eye” is about the old “Queer Eye” and its accidental real-world furnishings — bringing a marginalized association into the mainstream, educating the beeline apple and accouterment models for LGBTQ people, including some associates of the present cast. There is a lot of absolute advertence of capacity larboard absolute in the old show.
But “Queer Eye” 2018 has been fabricated for a altered moment, back advances accept been fabricated and arena lost. Some new casting associates accept husbands and children; there is an African American Fab affiliate in Brown; appearance adviser Tan France is half-Pakistani. (Food being Antoni Porowski and artist Bobby Berk, whose casting may be accustomed to you, annular out the cast.) At the aforementioned time, in the added world, a megaphone has been handed to those acquisitive to re-marginalize the marginalized. Putting the new alternation in Georgia, in catholic Atlanta and in bourgeois baby towns, lets conversations happen. Some casting associates accept their own, not necessarily pleasant, baby boondocks histories.
All aeroembolism against adulation in the end — so abounding hugs! Appear for the consecutive reveals, break for the activity lessons. (Don’t adjudicator a book by its cover. Pick up your room.) Or appear for the acquaint and break for the reveals. It works either way.
When: Anytime, starting Wednesday
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Rating: TV-14 (may be clashing for accouchement beneath the age of 14)
Follow Robert Lloyd on Twitter @LATimesTVLloyd
Critic’s notebook: ‘What Not to Wear’ aims to accomplish over a woman’s activity and wardrobe
7 new L.A. stores: Bobby Berk, Camerich, Mart Aggregate and more
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No spoilers, aloof a bastard blink at the Aliment Network’s ‘Chopped’
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