9 Quick Tips For Mid Century Modern Art
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9 Quick Tips For Mid Century Modern Art | Mid Century Modern Art

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Artist Stella Sullivan in her Houston flat in 1951.

Artist Stella Sullivan in her Houston flat in 1951.

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Stella Sullivan’s painting “Still Activity with Cauliflower” dates to 1950.

Stella Sullivan’s painting “Still Activity with Cauliflower” dates to 1950.

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Stella Sullivan corrective “Chinese Lamp” in about 1961.

Stella Sullivan corrective “Chinese Lamp” in about 1961.

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Stella Sullivan’s “Portrait of McCracken,” 1957, oil on canvas.

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Stella Sullivan’s “Portrait of McCracken,” 1957, oil on canvas.

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Artist Stella Sullivan in one of her studios, in the mid-1960s.

Artist Stella Sullivan in one of her studios, in the mid-1960s.

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This alternating still activity arrangement silkscreen was amid the circa-1950s works by Stella Sullivan that were afresh included in a above exhibition of Houston Mid-Century Modernists at the Heritage Society.

This alternating still activity arrangement silkscreen was amid the circa-1950s works by Stella Sullivan that were afresh included in a above exhibition of Houston Mid-Century Modernists at the Heritage Society.

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Stella Sullivan advised and fabricated this boutonniere arrangement silkscreen in the 1950s.

Stella Sullivan advised and fabricated this boutonniere arrangement silkscreen in the 1950s.

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Stella Sullivan fabricated this painting of bowl pots by her acquaintance Ruth Laird; the painting and pots were apparent in a contempo exhibition of works by Houston’s Mid-Century Modernists at the Heritage Society.

Stella Sullivan fabricated this painting of bowl pots by her acquaintance Ruth Laird; the painting and pots were apparent in a contempo exhibition of works by Houston’s Mid-Century Modernists at the Heritage Society.

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Mid-century Modernist Stella Sullivan, a arch to Houston’s art history, has died

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Stella Sullivan, a Houston artisan and abecedary for seven decades, died on Dec. 24 afterwards a abatement and a abrupt illness. She was 93.

Sullivan belonged to a bearing of Mid-Century Modernists who were rediscovered by 20th aeon Texas art enthusiasts about a decade ago. She maintained a flat on Main Street for the accomplished 18 years and visited her gallery, William Reaves|Sarah Foltz Accomplished Art, aloof a day afore she fell.

“Stella was a animated and basic affiliate of the Houston arts association her accomplished activity as a painter, printmaker, bolt artist and adornment maker,” said beneficiary Randy Tibbits, a coordinator of the Houston Earlier Texas Art Group. “As allotment of the continuum of Houston art history, she was the one amount of break demography abreast Houstonians aback to the ancestry of our avant-garde art culture.”

Stella Sullivan discusses “Portrait of McCracken” (1957), one of her paintings in the show, “Houston Reflections: Art in the City, 1950s, 60s and 70s, an exhibition at William Reaves Accomplished Art.

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Tibbits admired audition Sullivan call art classes in the studios of founding doyennes of the aboriginal scene, including Emma Richardson Cherry, Ola McNeill Davidson, Grace Spaulding John and Ruth Pershing Uhler. Sullivan additionally was a abreast of added Houston artists whose assignment Tibbits collects, including Gene Charlton, Robert Preusser, Frank Dolejska, Carden Bailey, Leila McConnell and Henri Gadbois.

Sullivan’s versatility — abnormally with silkscreening — added to her uniqueness. Her cards and printed fabrics were amid the highlights of Houston Aboriginal Texas Art Group’s 2016 exhibition “This Was Abreast Art: Accomplished and Decorative Arts in Houston 1945-1965,” at the Heritage Society Museum. (Her patterns would be hot sellers today for retailers — absolutely fab ’50s.)

Sullivan becoming an architectonics amount in 1945 at the Rice Institute; formed initially as a draftsman; again confused to Detroit to added her art studies in 1950. She alternate home with a adept of accomplished arts amount from the celebrated Cranbrook Academy of Art in 1954, abacus to the activity of the then-new, artist-driven Abreast Arts Museum.

Working in a array of media and styles, Sullivan won abundant awards for her work, including the Museum of Accomplished Arts’ anniversary acquirement prize. She connected to display beyond the U.S and Texas through the 1960s, and her assignment was broadly collected. Sullivan additionally produced angelic art, including dozens of Madonna paintings in a bright Modernist style. And she co-founded the artists’ aggregate boutique Handmakers, which showcased a ambit of accomplished art and crafts by bounded artists and artisans.

Stella Sullivan’s assignment included in display of  decades’ account of bounded collectors’ abreast pieces featured in Houston-centric exhibition.

Like so abounding added artists, however, she supplemented that assets with teaching. During assorted times she was an adviser at what is now the Glassell Academy of Art, the University of Houston, Sam Houston State University and the University of Delaware. She additionally accustomed her own flat academy in Rice Village, area she accomplished painting, drawing, architecture and silk-screening for abounding years.

Art blogger Robert Boyd, who took painting acquaint from Sullivan as a adolescent man, recalled her in a 2010 column as a accommodating and advanced teacher. “Her apprenticeship was so advised that it encouraged us to assignment actual actual boring — it enabled the affliction dabbling from us,” Boyd wrote. Sullivan awash a lot of “house portraits” then, he added, “but she was able of painting anything, and a lot of what she corrective were awful symmetrical, hard-edge geometric abstractions.”

Sarah Foltz, Sullivan’s dealer, accepted the artist’s ability of assorted mediums as able-bodied as her eye for design, geometry and color. “Stella’s artistic spirit was both alarming and contagious,” Foltz said. “Houston’s art arena would not be the advancing and cogent abode it is today after artists like Stella who fearlessly paved the way.”

A third bearing Houston, Sullivan was the youngest of seven accouchement built-in to Maurice Sullivan and Anne Winston King. She is survived by one of her six siblings, Margaret Ann “Margo” Sullivan Hibler; 21 nieces and nephews and a cardinal of abundant nieces and nephews.

“It’s the end of an era,” said Margaret Lawler, one of Sullivan’s nieces. “But she larboard all this admirable art behind.”

Services accommodate a examination 4-7 p.m. Friday at Joseph Earthman Funeral Home. A Mass of Christian Burial at 1:30 p.m. Saturday at Holy Rosary Catholic Church, 3617 Milam St., will be followed by the Rite of Committal at Holy Cross Cemetery, 3502 N. Main.

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For those adulatory to account Sullivan’s memory, the ancestors suggests contributions to Holy Rosary Catholic Church (designed by her father, and area her painting of the Virgin of Guadalupe hangs in the South transept), Rice University, Cranbrook Academy of Art or a alms of choice.

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