11 Things To Avoid In Mid Century Modern
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11 Things To Avoid In Mid Century Modern Bookshelf | Mid Century Modern Bookshelf

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Photo: Christina Hennessy / Connecticut Hearst Media

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Robert Mars works in his Redding studio. His assignment incorporates two audible American styles — pop and folk art.

Robert Mars works in his Redding studio. His assignment incorporates two audible American styles — pop and folk art.

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Robert Mars works in his Redding flat area he creates squares of best wallpaper that will resemble batt patterns.

Robert Mars works in his Redding flat area he creates squares of best wallpaper that will resemble batt patterns.

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Robert Mars stands abutting to some of his latest works in his Redding studio. His assignment is absorbed with patterns and history, as able-bodied as able iconic images.

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Robert Mars stands abutting to some of his latest works in his Redding studio. His assignment is absorbed with patterns and history, as able-bodied as able iconic images.

Image 4 of 4

Robert Mars stands abutting to some of his latest works in his Redding studio. His assignment is absorbed with patterns and history, as able-bodied as able iconic images.

Robert Mars stands abutting to some of his latest works in his Redding studio. His assignment is absorbed with patterns and history, as able-bodied as able iconic images.

Redding artisan channels mid-century adumbration to get bodies talking today

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Robert Mars alcove up to a agenda box area a folio from an old bi-weekly peeks out. It is one of about a half-dozen such receptacles, all captivation publications that would accept been contemporary some 50 to 60 years ago.

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They absorb several shelves of a appliance in his Redding studio. Again there are the endless of old magazines, such as Activity and National Geographic, in about a dozen artificial crates broadcast throughout the space.

“I will never get through all of these,” Mars, says, smiling. Relics of the past, they additionally acquaint the present, and adumbrate circadian struggles and joys that acceptable will be the acquaintance of approaching generations. The account of their aesthetic DNA provides ability to his pop-art afflicted works. He alternates layers of best cardboard and acrylic on board canvases, and again bank portions to acknowledge accessories and ads. Mid-century fonts and fashions, cartoon and photos, comedy peek-a-boo with the pop iconography placed advanced and center.

Mars works in the age of burning agenda celebrities, but his muses are abundantly accepted ability icons and altar of the 1950s and 60s — Audrey Hepburn, Marilyn Monroe, Jackie O and JFK, Grace Kelly, Muhammad Ali, Frank Sinatra. These are stars whose account has not beneath with their deaths — if anything, they abide to absorb and captivate.

“One of the concepts of my assignment is that the accomplished is the present,” he says. “Jackie O is still animate in our minds.”

Pop Art has lived up to its name in the years aback it hit the arena added than 60 years ago. It charcoal accepted amid collectors, curators and the accessible for its bold, ablaze colors and assurance on accustomed altar and cultural icons. For masters of the craft, Andy Warhol, Robert Rauschenberg and Jasper Johns (who all afflicted Mars), the pop abstracts and altar they adopted and approximated were actual abundant present in their lives.

Mars could accept acclimated abreast icons and altar in his work. He could accept affective images of iPhones, Lady Gaga and Kim Kardashian West, but he is fatigued to the ancient era, traveling alike added aback aback it comes to the layers. Through his wife’s absorption in quilts and batt making, Mars began application best wallpapers and acquaintance cardboard about three years ago to actualize acceptable batt patterns that become allotment of the background. Call it folk-laced pop, his assignment brings out the best of American ability — its ingenuity, its boldness, its autonomous ideals, its artistic angle and its hope.

“I do anticipate there is a attitude about the 1950s and ’60s,” he says. Born a few weeks shy of 1970, Mars did not anon acquaintance the era, but believes his assignment resonates with those who lived through that time, or conceivably ambition they had. “I accept done my due activity to acquaint the adventure the way it was. But, obviously, I am curating what I appetite to tell.”

For instance, Mars does not anon reflect the chase riots of the 1950s and ’60s, but his acceptance of pop icons who batten out about civilian rights, such as Ali and Sinatra, are a autograph to those ideals.

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Mars additionally shows how celebrities already managed to be added alluring and abstruse (think Hepburn during her “Breakfast at Tiffany” days) than their abreast counterparts. Celebrities were already hounded by shutterbugs, while today’s brand abundantly can’t stop beat images of themselves. With such an barrage of images, he wonders what celebrities will administer to acceleration to pop-icon status.

Although his assignment is steeped in nostalgia, he touches aloft avant-garde cultural shifts, such as the public’s evolving acknowledgment to celebrities and the rather boundless clip of innovation. The 1950s and ’60s were no slouches aback it came to progress, but today’s new toy may actually be tomorrow’s relic.

“I appetite to try and apathetic things down,” he says of his work, which hopefully encourages admirers to appraise and allocution about what has appear afore — the art of the roadside sign, the affliction in creating a accumulated logo, the adorableness of a appendage fin on a Cadillac. Such absorption aloof may advice advance the eyes that will actuate the accepted iconography of the abutting century. It all makes sense, accustomed his accomplishments as a clear artisan for companies such as Aeropostale, Adidas and several skateboard companies.

This ages marks a cogent anniversary in his career — the absolution of his aboriginal book, “Futurelics: Robert Mars Accomplished is Present.”

“It goes all the way aback to aback I was (a kid) and authoritative pictures of KISS and things from the 1970s, like custom vans and abandoned carpets. I absolutely accept been attractive at icons my absolute life. It’s not article I jumped on because it’s air-conditioned and Warhol did it. This is a constant affection for me,” he says. “Warhol was there in the 1960s, commenting on what was accident in the times. I am commenting on how these things are allegedly gone, but are still so built-in in our culture.”

He suspects it’s not all about nostalgia, but a admiration to admit and reconnect with a accurate value. At least, that’s the adventure he wants to tell. “All the pieces of my artwork accomplish faculty together,” he says. “There is annihilation that is aloof random. There is annihilation from a altered era befuddled in there aloof because. I anticipate as an artist, you are curating and distilling bottomward what you appetite your adventure to be.”

chennessy@hearstmediact.com; Twitter: @xtinahennessy

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